Of all the photos taken of him, the image above captures best, I think, the man who was my friend for thirty-eight years. Oscar Hijuelos and I met in graduate school at City College in 1975, two young writers in Frederick Tuten’s fiction workshop. Oscar was shy, even deferential to the other writers in the workshop, but when he first read his work to us in class, his head bowed over the pages on the desk, his voice low, everyone recognized his enormous talent.
We became friends, visiting each other often in his apartment on the Upper West Side or the house I was renting with old college friends north of the city. We read each other’s manuscripts (and continued to do so over the years), discovered that we were born within two days (and only a few miles) of each other, and we talked about our life-or-death love of literature, drank and joked and ate at any Cuban-Chinese restaurant we came upon in New York. To say Oscar had a good sense of humor is not quite right—he had a great sense of amusement, about everything in the world (and he also had a great curious appetite for everything in the world), and when I hear Oscar’s voice in my mind (and I listen to him a lot these days), I can hear his restrained chuckle, or the casual bemusement in the very tone of his speaking. That slight, gentle smile in the photo says it all.
When my wife Alma and I spent the summer of 1987 in New York City with our then months-old son Nathaniel, we rented an apartment a few blocks from Oscar’s place. He was just back from living abroad (he’d won a Rome Prize for his first novel, Our House in the Last World). Our first night in town, we walked over to Oscar’s, to introduce him to our first child. We were shocked at his hollowed-out apartment—he’d inadvertently gotten into a little trouble with the IRS over taxes while he was in Rome, and now he was selling his furniture piece by piece to raise money. As we spoke, my son began wailing in my arms, and Oscar reached over to a nearly empty shelf, picked up a kalimba, and began improvising a serenade.
Almost immediately Nathaniel calmed down, and without hesitation Oscar made us a present of the instrument—one of his last possessions. That generosity was typical of Oscar. You can see that kindness in the photo, as well as some of the sadness that was never far away, through all the decades that I knew him, through success as well as failure.
The evening of Oscar’s wake, Alma and I took the train in from Princeton, where we’ve been living this fall, and then the subway to the Upper West Side, landing just a few blocks from the visitation. We’d arrived early, and because I wasn’t quite ready to put the stamp of finality on my friend’s sudden death, Alma and I walked about the neighborhood, which was filled with memories of when Oscar and I had first forged our friendship. At the wake we paid our respects to Oscar’s beloved wife Lori, who in her grief was overwhelmed by the large crowd of friends and family there to offer support. Oscar’s casket rested in a corner, and for a few minutes I foolishly spoke to it as if my friend could hear me from inside.
Later, Alma and I walked to the nearby Cuban-Chinese restaurant La Caridad 78 (“Comidas China y Criolla”), where Oscar and I had often taken a meal.
The same spare décor, the heaping plates of food, and speakers in the walls played salsa music, the same joyful music Oscar had written about in his Pulitzer prize-winning novel The Mambo Kings Play Songs of Love. It wasn’t the best meal I’ve had, but it tasted of history, and loss, and love, too: fried rice and beans, hunks of tender chicken, Chinese vegetables. By the end of our meal, I noticed a young couple at a nearby table, enjoying a side order of plantains.
I nodded toward the table and said to Alma, “I forgot to order plantains. The meal doesn’t seem right without some.”
“It’s not too late to order,” she replied, but our meal was almost done, the moment for that really had passed.
Yet after I paid the bill and we gathered our coats, I found myself approaching the couple, and I explained that I’d just left the wake of a dear friend, and he and I had often eaten at this restaurant, and I’d forgotten to order a plate of what we’d always ordered, plantains, and would it be all right if I could have just one piece?
They happily agreed, offered me the entire plate, but no, a single slice would do. Then Alma and I thanked them and left, walking down the street to the subway station, while I nibbled slowly at my slice of plantain, each bite another little goodbye.
For another remembrance of Oscar Hijuelos, which includes Oscar’s take on what constitutes a writer’s afterlife, you can visit this entry of the Ninth Letter blog.
The beautiful photo of Oscar Hijuelos was taken by Dario Acosta.Tagged with: Cuban-Chinese restaurant • Dario Acosta • La Carded 78 • Ninth Letter • Oscar Hijuelos • Our House in the Last World • The Mambo Kings Play Songs of Love
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